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BEGIN:VEVENT
DTSTART;TZID=UTC:20251121T180000
DTEND;TZID=UTC:20251121T190000
DTSTAMP:20260501T183421
CREATED:20251017T105035Z
LAST-MODIFIED:20251103T164518Z
UID:8296-1763748000-1763751600@southamptonfilmweek.com
SUMMARY:Experimental Cinema: Dark into Light
DESCRIPTION:John Hansard Gallery\, Screening Room\nFREE\nAs part of Southampton Film Week\, join John Hansard Gallery for a special programme of single-screen 16mm films and videos that explore dark and light – the two poles between which the projected image exists. \nLucy Harris’s Moons (2025) is a reflection on an archetypal poetic-cinematic image. In Laura Hindmarsh’s Atlas (2018) the artist-filmmaker plays the moon\, enacting her own eclipse. Nick Collins’s Dark Garden (2011) is an investigation of plants and their environs as defined by illumination and shadows. Vicky Smith’s Not (a) part (2020) is a film of nature in miniature\, made by laying dead insects and bees directly on the filmstrip. Psalter (2019)\, by Samantha Rebello\, also involves extreme close-ups\, with imagery that is alchemical. Nicky Hamlyn’s Pro Agri (2008) is a timelapse film in which we see a tobacco processing plant as day turns to night. The fading image in Candle (2017)\, by Neil Henderson\, is a unique meditation on filmic illumination and the illusion of movement. This programme will be introduced by the artists and curators Simon Payne and Andrew Vallance.   \n\nMoons (2025\, 3mins) Lucy Harris\nAtlas (2018\, 3mins) Laura Hindmarsh\nDark Garden (2011\, 9mins) Nick Collins\nNot (a) part (2019\, 6 mins) Vicky Smith\nPsalter (2019\, 14mins) Samantha Rebello\nPro Agri (2008\, 3mins) Nicky Hamlyn\nCandle (3mins) Neil Henderson\n\n  \nBiographies \nSimon Payne and Andrew Vallance have been programming artists’ film and video since 2013\, when they co-curated ‘Assembly: A Survey of Recent Artists’ Films in Britain’ for Tate Britain. Since then\, under the banner of Contact\, they have presented programmes in numerous cinemas\, galleries and other venues\, internationally. The book they published in 2021\, entitled Film Talks\, involved representing new conversations on experimental cinema from a diverse range of film and video artists. For more information visit: https://www.contactscreenings.co.uk/ \nTICKETS ARE FREE – PLEASE BOOK
URL:https://southamptonfilmweek.com/event/experimental-cinema-dark-into-light
LOCATION:City Eye and John Hansard Gallery\, 142 - 144 Above Bar Street\, Southampton\, Hampshire\, SO14 7DU\, United Kingdom
CATEGORIES:Artist Film,Moving Image,Short Films,Talk
ATTACH;FMTTYPE=image/png:https://southamptonfilmweek.com/wp-content/uploads/2025/10/SFW_expcinema_POSTS-INSTA.png
ORGANIZER;CN="City%20Eye":MAILTO:admin@city-eye.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20251114T190000
DTEND;TZID=UTC:20251114T210000
DTSTAMP:20260501T183421
CREATED:20251017T104330Z
LAST-MODIFIED:20251103T162652Z
UID:8292-1763146800-1763154000@southamptonfilmweek.com
SUMMARY:SFW25: Launch | Expanding Cinema: Double-Screen Energy
DESCRIPTION:At Mayflower Studios\nIn collaboration with John Hansard Gallery\, join artists and curators Simon Payne and Andrew Vallance for a programme of exciting\, expanded cinema. \nThe films they will introduce span the classic Berlin Horse (1970) by Malcolm Le Grice\, through to more recent films in the tradition of experimental cinema. Jo Millet’s Surfeit (2010) centres on crashing waves. Cathexis (2025)\, by Steven McInerney\, is a psychotropic mode of visual music. Simon Payne’s Intervals (2023) involves dynamic colour fields. Traction (2023)\, by Jenny Baines\, depicts a tug-of-war that features the artist in contest with herself. Lynn Loo’s Leaving and Arriving and Andrew Vallance’s VIA (2024) take the viewer on journeys by train. The orchestrated thunder and lightning in Stephen Littman’s The Enlightenment (2016) is a charged electrical array of video imaging. \nMalcolm Le Grice\, Berlin Horse\, film still\, 1970. Courtesy the artist\nFull list of films below: \n\nBerlin Horse (1970\, 7 mins) Malcolm Le Grice\nSurfeit (2010\, 3min) Jo Millet\nCathexis (2025\, 3mins) Steven McInerney\nIntervals (2023\, 10mins) Simon Payne\nTraction (2023\, 3mins) Jenny Baines\nLeaving and Arriving (2022\, 2mins) Lynn Loo \nVIA (2024\, 3mins) Andrew Vallance\nThe Enlightenment (2016\, 14mins) Stephen Littman\n\nBiographies\nSimon Payne and Andrew Vallance. Credit: Samy Benammar\nSimon Payne and Andrew Vallance have been programming artists’ film and video since 2013\, when they co-curated ‘Assembly: A Survey of Recent Artists’ Films in Britain’ for Tate Britain. \nSince then\, under the banner of Contact\, they have presented programmes in numerous cinemas\, galleries and other venues\, internationally. The book they published in 2021\, entitled Film Talks\, involved representing new conversations on experimental cinema from a diverse range of film and video artists. \nFor more information visit: https://www.contactscreenings.co.uk/ \nBOOK YOUR TICKET
URL:https://southamptonfilmweek.com/event/sfw25-launch-expanding-cinema-double-screen-energy
LOCATION:Mayflower Studios\, Mayflower Studios\, 142-144 Above Bar Street\, Southampton\, SO14 7DU\, United Kingdom
CATEGORIES:Artist Film,Moving Image,Short Films,Talk
ATTACH;FMTTYPE=image/png:https://southamptonfilmweek.com/wp-content/uploads/2025/10/PROMO_LAUNCH-INSTA-1.png
ORGANIZER;CN="City%20Eye":MAILTO:admin@city-eye.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231114T180000
DTEND;TZID=UTC:20231114T190000
DTSTAMP:20260501T183421
CREATED:20231006T151006Z
LAST-MODIFIED:20231031T150332Z
UID:7202-1699984800-1699988400@southamptonfilmweek.com
SUMMARY:videoclub - Selected 13
DESCRIPTION:We are delighted to work with John Hansard Gallery to present videoclub: Selected 13 as part of Southampton Film Week. \n\n  \nSELECTED 13\n18+ | Short Film Screening | Artist Film | UK | 60 mins \nStill from ‘Spicy Pink Tea’ by Aqsa Arif\, 2022. \nSelected 13 is a collection of diverse\, surprising\, and provocative new films by early career artists: Aqsa Arif\, Dan Guthrie\, Hannan Jones\, Hussina Raja\, Evita Remy-Benn\, Daisy Smith\, and Mina Heydari-Waite. The seven artists were nominated by the artists shortlisted for the 2022 Film London Jarman Award: Jamie Crewe\, Onyeka Igwe\, Grace Ndiritu\, Morgan Quaintance\, Rosa-Johan Uddoh and Alberta Whittle. \n  \nProgramme of work: \nAqsa Arif\, Spicy Pink Tea\, 2022\, 12:25 mins \nElla Frost\, What You Love Too Much to Lose\, 2021\, 11 mins \nDan Guthrie\, black strangers\, 2022\, 8:13 mins \nHannan Jones\, Dear F…\, 2023\, 6:29 mins \nHussina Raja\, Station\, 2022\, 7:39 mins \nEvita Remy-Benn\, SUGAR\, 2023\, 1:34 mins \nDaisy Smith\, (Dirt)\, 2020\, 3:01 mins \nMina Heydari-Waite\, 33 Seeds\, 2022\, 7:02 mins \n  \nProduced by videoclub and Film London Artists’ Moving Image Network. Supported by Arts Council England and Film London. \n  \nvideoclub \nvideoclub is an artists’ moving image platform showing artists’ work across the UK and internationally. We support artists through curated programmes\, engaging the public through screenings\, exhibitions\, talks\, residencies\, and commissions. \nwww.videoclub.org.uk \n  \nFilm London Artists’ Moving Image Network \nFilm London Artists’ Moving Image Network (FLAMIN) supports London-based artists working in moving image\, working in partnership to deliver a comprehensive programme including production award schemes\, regular screenings\, talks and events\, as well as the prestigious annual Film London Jarman Award. \nwww.filmlondon.org.uk/flamin
URL:https://southamptonfilmweek.com/event/videoclub-selected-13
LOCATION:City Eye and John Hansard Gallery\, 142 - 144 Above Bar Street\, Southampton\, Hampshire\, SO14 7DU\, United Kingdom
CATEGORIES:Artist Film,Moving Image,SFW2023,Short Films
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2023/10/Spicy-Pink-Tea-by-Aqsa-Arif-2022.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20231113T190000
DTEND;TZID=UTC:20231113T220000
DTSTAMP:20260501T183421
CREATED:20230919T130128Z
LAST-MODIFIED:20231102T230507Z
UID:6710-1699902000-1699912800@southamptonfilmweek.com
SUMMARY:SFW: Shorts Screening and Awards Ceremony
DESCRIPTION:SFW: SHORTS 2023 \nAge Guide 16+ | Short Film Screening | Awards Ceremony \n \nLesley Fuller presenting the Michael Fuller Award for Best Film to Vicky Isley and Paul Smith\, also pictured are Head of Film at Solent University Darren Kerr and Executive Director of City Eye Susan Beckett  \nJoin us for the SFW: Shorts Screening and Awards Ceremony\, one of the most anticipated events in the Southampton Film Week programme.  Since its launch in 2012\, SFW: Shorts has attracted the work of filmmakers and artists from every corner of the planet resulting each year in an inspiring and eclectic collection of films for our judging panel and audience to feast on. \nThe evening celebrates the best international\, regional and local film-making talent in the specialism of short film.  Submitted films\, up to a maximum of 15 minutes\, have been shortlisted and judged in the categories of Artist Film\, Documentary\, Music Video (New for 2023) and Fiction.  The judging panel will also have chosen the winner of The Michael Fuller Award for Best Film.  Two further awards\, each sponsored by Solent University\, are made by the judges; The Regional Filmmaker Award\, presented to a filmmaker from Hampshire or one of its adjoining counties\, and the Award for Best Animated Film. \nCome and rub shoulders with the filmmakers\, see the full selection\, be among the first to know the winners and vote for your favourite to receive the Audience Award.  The evening promises a feast of fantastic film! \nThe official shortlist will be announced after Friday 27 October. Good luck to all who have submitted! To find out more about the competition and previous winners visit the SFW: Shorts page. \n 
URL:https://southamptonfilmweek.com/event/sfwshorts-screening-a-awards-ceremony-with-filmmaker-network
LOCATION:MAST Mayflower Studios\, 142 - 144 Above Bar Street\, Southampton\, Hampshire\, SO14 7DU\, United Kingdom
CATEGORIES:Artist Film,Documentary,Industry Networking,Moving Image,Screening & Awards,SFW2023,Short Films
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2019/12/Shorts1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221119T190000
DTEND;TZID=UTC:20221119T220000
DTSTAMP:20260501T183421
CREATED:20221019T132556Z
LAST-MODIFIED:20221114T155920Z
UID:5990-1668884400-1668895200@southamptonfilmweek.com
SUMMARY:SFW22: Neptune Frost
DESCRIPTION:Neptune Frost (2021)\nSaturday 19 November 2022 at 7:00pm\nDir. Saul Williams\, Anisia Uzeyman | USA/Rwanda | 1hr 45m | 15| Sci-fi | English subtitles  \nAn intersex African hacker\, a coltan miner and the virtual marvel born as a result of their union.  \nAfro-futurist fantasia Neptune Frost\, is a wondrous\, thrilling sci-fi punk musical from multi-hyphenate\, multidisciplinary artists Saul Williams and Anisia Uzeyman who bring their unique dynamism to the vision of Neptune Frost. It is a sci-fi-punk musical that’s a visually wondrous amalgamation of themes\, ideas\, and songs that they have been exploring in their work\, including on Williams’ 2016 album MartyrLoserKing.  \n \nNeptune Frost takes place in the hilltops of Burundi\, where a group of escaped coltan miners camp in an otherworldly e-waste dump\, they attempt a takeover of the authoritarian regime exploiting the region’s natural resources and its people. When an intersex runaway and an escaped miner find each other through cosmic forces\, their connection sparks glitches within the greater divine circuitry.  \nSet between states of being – past and present\, dream and waking life\, colonised and free\, male and female\, memory and prescience – Neptune Frost is an invigorating and empowering direct download to the cerebral cortex and a call to reclaim technology for progressive political ends.  \n“In a word: Mesmerising. Neptune Frost is truly cinema in poetry\, a visually (and aurally) stunning work of art that feels like it should be on display in a museum.” – feedback from young audience members  \n\nOne of the most unique sci-fi films of recent years\, Neptune Frost is screening at MAST Mayflower Studios on Saturday 19 November. \nThis performance will be relaxed. There is a relaxed attitude to noise and movement\, and a chillout space will be available before\, during and after the show for anyone that needs a quiet space.  \n is run by film charity      Charity Number 1089882
URL:https://southamptonfilmweek.com/event/sfw22-neptune-frost
LOCATION:MAST Mayflower Studios\, 142 - 144 Above Bar Street\, Southampton\, Hampshire\, SO14 7DU\, United Kingdom
CATEGORIES:Artist Film,Environment,Feature Film,LGBTQ+,Moving Image,Music,Science Fiction,SFW2022,World Cinema
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2022/10/NeptuneFrost_still_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221117T150000
DTEND;TZID=UTC:20221117T170000
DTSTAMP:20260501T183421
CREATED:20221027T140243Z
LAST-MODIFIED:20221115T125052Z
UID:6106-1668697200-1668704400@southamptonfilmweek.com
SUMMARY:SFW22: Right of Way
DESCRIPTION:Right of Way (2022)\nThursday 17 November 2022 at 3:00pm\nDir. Various | UK | 1hr 30m | 12A | Archive footage & New Artist Film  | Captioned for the hard of hearing  \nWe’re told we all have a right to roam in the countryside – but does that apply to everyone equally?  \n \nRight of Way is a new feature-length programme that mixes stunning new artists’ commissions with historical archive films to explore the wider landscape of questions around access and inclusion in the UK countryside.  \nThe programme is inspired by the foundation of the National Trails. Set up to resist sweeping industrialisation\, these protected landscapes were created with a vision to ‘connect people to the rural landscape’\, but during the COVID-19 pandemic – as people realised anew the importance of nature and open spaces for our health and mental wellbeing – inequalities of access to rural land were being exposed\, revealing the disconnect felt by millions of people towards the UK countryside. A 2019 government review found that many Black\, Asian and ethnically diverse people view the countryside as an ‘irrelevant white\, middle-class club’\, concluding that this divide is only going to widen as society changes and ‘the countryside will end up being irrelevant to the country that actually exists’.  \nThe new commissions interrupt and challenge the enduring perception of the rural idyll as an untouched and unchanging space where time stands still. What happens when Black\, Asian and other ethnically diverse people enter these landscapes? How can our natural spaces be homes to protest\, trespass\, activism and raves? Paired with archive films this programme is a terrific platform for debate on historical and contemporary discussions about who has a right to the great outdoors and who is excluded from it.  \nDetails of the full programme are below. \n\n  \nNew Commissions:\nblack strangers\nDan Guthrie | UK | 2022 \nAfter seeing him mentioned on a Bishop’s Transcript held in Gloucestershire Archives\, Dan goes for a walk in the woods in search of Daniel\, a man buried in Nympsfield on the 31st December 1719 and described on the document as ‘a black stranger’. Whilst walking\, Dan talks directly to Daniel\, speculating about the parallels between him and his namesake and wrestling aloud with the problems that come with trying to read the archive at face value and fill in its gaps. \n\nPastoral Malaise\nUfuoma Essi | UK | 2022 \n\nPastoral Malaise is a meditative reflection on the absences found in rural pastoral environments\, that are often framed by a false romanticism and picturesque conventions\, constructed as tourist sites within rural landscapes across Britain. Inspired by Una Marson’s poem Spring In England and Dorris Henderson’s 1965 cover of the popular British folk song One Morning In May\, the film recalls an imagined relationship to the English landscape told through memories and speculative histories. \nSyncopated Green\nArjuna Neuman | UK | 2022 \n\nSyncopated Green reflects on the history of outdoor free parties in the English countryside\, using rave music\, past and present\, to help forget the ‘official’ portrayal of England as picturesque\, nostalgic\, white\, and rural. The film invites rave music into the English landscape – turning imperial history inside out. Somewhere between a music video\, a memoir and an essay\, it asks: how might our future be different if we had other histories to lean on – and dance with? \nArchive Films:\nEastbourne\nGilbert Tomes | UK | 1958 \n\nHolidaying in Eastbourne\, the Sanderstead Youth Fellowship take in an organised walk over the South Downs from Beachy Head to Cuckmere Haven. Courtesy of Screen Archive South East at the University of Brighton \nPilgrim’s Way\nWilliam N. Boyle | UK | 1956 \n\nFrom Farnham to Canterbury\, this 120-mile trek across the famous Pilgrim’s Way section of the North Downs Way takes in some of south-east England’s prettiest towns\, villages and pastures. Courtesy of BFI National Film & Television Archive \nFather Thames\nunknown | UK | 1935 \n\nRecorded over 60 years prior to the establishment of the Thames Path National Trail\, this film follows England’s best-known river for 185 miles as it ambles from its source in the Cotswolds through several rural counties and into the heart of London. Courtesy of BFI National Film & Television Archive \nHoliday on the North Norfolk Coast\nunknown | UK | 1952 \n\nGlasgow’s Countryside Club visits the North Norfolk Coast\, taking in sights along the still-to-be-established National Trail Path. In this clip the group journeys from Morston Quay to explore Blakeney National Nature Reserve. Courtesy of the East Anglian Film Archive at the University of East Anglia \nSouth Downs Way\nunknown | UK | 1975 \n\nThis amateur travelogue-style documentary follows the route of the South Downs Way three years after its official opening\, accompanied by a voiceover providing historical narrative on the route and local history of the areas it passes through. Courtesy of Screen Archive South East at the University of Brighton \nNorfolk\, 1986\nunknown | UK | 1986 \n\nOne week before Prince Charles opens the Peddars Way Long Distance Path\, local journalist Bruce Robinson talks through the book he has written about the historic Roman road it follows. Courtesy of the East Anglian Film Archive at the University of East Anglia \nCountry Ways: The Ridgeway in October\nPaul Slater | UK | 1988 \n\nITV’s popular Country Ways television series explores The Ridgeway National Trail through the eyes of the people that live and work along the historic pathway\, commonly known as ‘Britain’s oldest road’. Courtesy of the Wessex Film and Sound Archive at Hampshire County Council \nCheck out this rousing and eccentric short film collection\, screening at MAST on Thursday 17 November. \nThis performance will be relaxed. There is a relaxed attitude to noise and movement\, and a chillout space will be available before\, during and after the show for anyone that needs a quiet space.  \n is run by film charity      Charity Number 1089882
URL:https://southamptonfilmweek.com/event/sfw22-right-of-way
LOCATION:MAST Mayflower Studios\, 142 - 144 Above Bar Street\, Southampton\, Hampshire\, SO14 7DU\, United Kingdom
CATEGORIES:Archive and Heritage,Artist Film,Documentary,Environment,Feature Film,Local Interest,Moving Image,SFW2022,Short Films
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2022/10/effc44e25f61615f10561ff5a8b20183-1024x576.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221116T180000
DTEND;TZID=UTC:20221116T190000
DTSTAMP:20260501T183421
CREATED:20220921T095455Z
LAST-MODIFIED:20221025T105256Z
UID:5817-1668621600-1668625200@southamptonfilmweek.com
SUMMARY:SFW22: videoclub - Selected 12
DESCRIPTION:videoclub: Selected 12\nWednesday 16 November 2022 at 6:00pm\nUK | approx 59m \nWe are delighted to work with John Hansard Gallery to present videoclub: Selected 12 as part of Southampton Film Week. \n \nStill from ‘Icarus’ by Jessy Jetpacks\, 2020. \nSelected 12 \nSelected 12 is a collection of diverse\, surprising and provocative new films by early career artists: Sarah Gonnet\, Sophie Hoyle\, Jessy Jetpacks\, Seo Hye Lee\, April Lin\, Laura Lulika\, Jennifer Mehigan and Ker Wallwork. The eight artists were selected by Adham Faramawy and Guy Oliver (shortlisted artists for the 2021 Film London Jarman Award)\, FLAMIN and videoclub to bring a thought-provoking programme celebrating diverse filmmaking talent to screens this autumn. \nProgramme of work: \nSarah Gonnet\, Womb\, 2018\, 2:17 mins \nSophie Hoyle\, Hyperacusis (Part 1)\, 2021\, 7 mins \nJessy Jetpacks\, Icarus\, 2020\, 3:57 mins \nSeo Hye Lee\, [sound of subtitles]\, 2021\, 1:37 mins \nApril Lin\, TR333\, 2021\, 10 mins \nLaura Lulika\, A leak\, a draft\, a mold\, a flame\, 2022\, 9 mins \nJennifer Mehigan\, Honeysuckle Joyride\, 2021\, 12:37 mins \nKer Wallwork\, small wet mouth\, 2019\, 12 mins \nProduced by videoclub and Film London Artists’ Moving Image Network.  Supported by Arts Council England and Film London.  \n\nvideoclub \nvideoclub is an artists’ moving image platform showing artists’ work across the UK and internationally. We support artists through curated programmes\, engaging the public through screenings\, exhibitions\, talks\, residencies\, and commissions.  \nvideoclub.org.uk \nFilm London Artists’ Moving Image Network \nFilm London Artists’ Moving Image Network (FLAMIN) supports London-based artists working in moving image\, working in partnership to deliver a comprehensive programme including production award schemes\, regular screenings\, talks and events\, as well as the prestigious annual Film London Jarman Award.  \nfilmlondon.org.uk/flamin \n is run by film charity      Charity Number 1089882 \nWe are delighted\, with support of our partners\, to present a number of events for free but if you are able to make a donation when purchasing your ticket or attending an event we will be incredibly grateful – and able to sustain City Eye and Southampton Film Week for years to come!  Thank you.
URL:https://southamptonfilmweek.com/event/videoclub-selected-12
LOCATION:John Hansard Gallery\, 142-144 Above Bar Street\, Southampton\, Hampshire\, SO147DU\, United Kingdom
CATEGORIES:Artist Film,Moving Image,SFW2022,Short Films
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2022/09/lead-image-Credit-JessyJetpacks_Icarus_2020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221112T190000
DTEND;TZID=UTC:20221112T213000
DTSTAMP:20260501T183421
CREATED:20221019T141222Z
LAST-MODIFIED:20221102T152245Z
UID:5833-1668279600-1668288600@southamptonfilmweek.com
SUMMARY:SFW22: SFW: Shorts Screening and Awards
DESCRIPTION:Join us for the SFW: Shorts Screening and Awards Ceremony\, one of the jewels of Southampton Film Week programme.  Since its launch in 2012 the competition has attracted the work of filmmakers and artists from every corner of the planet resulting each year in an inspiring and eclectic collection of films for our judging panel and audience to feast on.  \nThe evening celebrates the best international\, regional and local filmmaking talent in the specialism of short film.  The films screened are ten minutes or under in length and have been shortlisted and judged in the categories of Best Artist Film\, Best Documentary and Best Fiction.  The judging panel will also have chosen the winner of The Michael Fuller Award for Best Film.  Two further awards\, each sponsored by Solent University\, are made by the judges; The Regional Filmmaker Award\, presented to a filmmaker from Hampshire or one of its adjoining counties\, and the Award for Best Animated Film\, a new category introduced in 2022.    \n \nDocumentaries\, fiction films and artists moving image work ensure the evening is filled with a unique mix of topics and stories.  Following the screening there will be a chance for everyone attending to vote for their favourite film to decide the Audience Award\, then enjoy the much-anticipated award ceremony.   \nA truly special event for filmmakers and filmgoers.   \nClick here to find out more about the competition and previous winners.  The official shortlist will be announced on Friday 28 October. Good luck to all who have submitted!  \nThis performance will be relaxed. There is a relaxed attitude to noise and movement\, and a chillout space will be available before\, during and after the show for anyone that needs a quiet space.  \nBooking is available through the MAST Box Office.  \n is run by film charity      Charity Number 1089882
URL:https://southamptonfilmweek.com/event/sfw22-sfw-shorts-screening-and-awards
LOCATION:MAST Mayflower Studios\, 142 - 144 Above Bar Street\, Southampton\, Hampshire\, SO14 7DU\, United Kingdom
CATEGORIES:Animation,Artist Film,Documentary,Industry Networking,Launch,Moving Image,Screening & Awards,SFW2022,Short Films
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2022/10/SFW21-Awards.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221111T200000
DTEND;TZID=UTC:20221111T220000
DTSTAMP:20260501T183421
CREATED:20221011T161217Z
LAST-MODIFIED:20221101T112442Z
UID:5980-1668196800-1668204000@southamptonfilmweek.com
SUMMARY:SFW22: Larkhall at Turner Sims
DESCRIPTION:We launch the 15th Annual Southampton Film Week with this free to attend concert and digital image performance\, celebrating our long-standing partnership with Turner Sims. \nExploration of the relationship between live music and moving image has been a theme of Southampton Film Week since its first edition in 2008. We are thrilled to achieve this in 2022 with this innovative performance by composer\, pianist and creative coder Larkhall. \n\nAlgorithms are art. Coding is creative. Let Larkhall show you. \nMad scientist and concert pianist Larkhall has invented a computer system named Otto. Otto responds in real time to Larkhall’s performance\, creating stunning live visuals. \nAlgorithms play a role in our daily lives. They shape everything from weather forecasts\, to driving directions\, to social media feeds. But can they be… art? \nA composer\, pianist and creative coder\, Larkhall’s debut album The Sea Was Never Blue reached #2 on the iTunes Classical chart. Tonight\, he performs new classical piano music as live visuals are created and projected on the big screen behind him in response. These ‘vividly beautiful’\, ‘enchanting’ compositions (Chicago Sun-Times) shed new light on how science\, technology\, engineering and mathematics can be used creatively. \nSee technology\, visual art and music collide in this moving\, cinematic performance of the future. \nJoin us for the after-party! The bar will be open and the music will be playing. \nA new exciting voice on the contemporary scene. Times Radio \nAbsolutely lovely. Scala Radio \n \nPresented by Turner Sims in association with City Eye as part of Southampton Film Week. \nEntrance is FREE. All audience members must book a ticket. \nFREE WORKSHOP: Saturday 12 November 10.30am – 12.30pm\nCreative Coding with Larkhall\nFIND OUT MORE \n is run by film charity      Charity Number 1089882 \nWe are delighted\, with support of our partners\, to present a number of events for free but if you are able to make a donation when purchasing your ticket or attending an event we will be incredibly grateful – and able to sustain City Eye and Southampton Film Week for years to come!  Thank you.
URL:https://southamptonfilmweek.com/event/sfw22-launch-with-larkhall-at-turner-sims
LOCATION:Turner Sims\, Salisbury Rd\, Southampton\, SO17 1BJ\, United Kingdom
CATEGORIES:Industry Networking,Launch,Moving Image,SFW2022
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2022/10/2-Larkhall-live-credit-Rob-Auckland.jpg
ORGANIZER;CN="Turner%20Sims":MAILTO:info@turnersims.co.uk
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211113T100000
DTEND;TZID=UTC:20211113T130000
DTSTAMP:20260501T183421
CREATED:20211018T173058Z
LAST-MODIFIED:20211105T071550Z
UID:5196-1636797600-1636808400@southamptonfilmweek.com
SUMMARY:INVISIBLE Workshop: words\, movement and moving image
DESCRIPTION:Join filmmaker Anna Cady and movement artist Brenda Waite for a playful interdisciplinary workshop exploring ways to create\, experience and interpret space and film in relation to the body. \nAnna and Brenda make work about the human condition. Their short film INVISIBLE (screening from 6-13 Nov at John Hansard Gallery and City Eye as part of Southampton Film Week) explores – from the perspective of older women – what it is to be unseen.  \nA film screening of INVISIBLE\, images\, writing and movement exercises\, all combine to offer an exploratory session aiming to enliven the senses and the imagination in order to tune into\, inform and inspire your expressive movement potential.    \nIn this workshop we will expand our physical presence and spatial awareness\, foster our connection with one another and our surroundings. \n‘I enjoyed the opportunities to explore body\, mind and imagination.  So exciting and stimulating in every way.’ \n  \nAnna Cady: My intention\, in making films co-creatively with artists and non-artists\, is to enable conversations about differing points of view.  Screenings include Tate Modern\, London Short Film Festival and Sundance Film Festival. Installations of my films with live performance / projection include events within James Turrell’s Sky Space and multiple installations at National Trust properties. www.annacady.com \nBrenda Waite: Brenda is a performer and teacher of physical theatre and dance.  Projects often focus on fostering connection with others\, our physical surroundings and themes of ecology and personal narratives. Her high profile CV includes: London International Mime\, Hong Kong City\, Mimos Périgueux\,  Oerol\, Winner ‘Fringe First’ Edinburgh 2004\, Storehouse ICA\, Arnolfini In-between Time commission – Born in a Taxi\, Melbourne and Sydney International Street\, Melbourne International Comedy\, X-Change Berlin.   www.brendawaite.blogspot.com  \n  \nPlaces are strictly limited so do book to avoid disappointment. We are eager to make this workshop widely accessible and\, therefore\, are offering a half-price ticket to those for whom the full £20 cost is difficult.   \nWe are asking all participants to take a Covid-19 lateral flow test on the morning of the workshop. \nAge suitability: we welcome adults of all ages and abilities \n  \n  \n 
URL:https://southamptonfilmweek.com/event/invisible-workshop-and-short-film-screening
LOCATION:John Hansard Gallery\, 142-144 Above Bar Street\, Southampton\, Hampshire\, SO147DU\, United Kingdom
CATEGORIES:Film Installation,Moving Image,Workshop
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2021/10/4-diagonal-lean.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20211109T194500
DTEND;TZID=UTC:20211109T210500
DTSTAMP:20260501T183421
CREATED:20211102T165202Z
LAST-MODIFIED:20211110T130527Z
UID:5304-1636487100-1636491900@southamptonfilmweek.com
SUMMARY:Derek
DESCRIPTION:Dir: Isaac Julien | UK 2008 | 76 Min | Lang: English \nPoetic and award-winning documentary by artist-filmmaker\, Isaac Julien. \nThis film celebrates the life and work of film-maker\, artist and gay rights activist Derek Jarman. Interview footage\, musings from Tilda Swinton\, archival footage and segments from Jarman’s work weave together to build a portrait of a bold\, inspiring and multi-dimensional character. \n  \n \nIsaac Julien and Tilda Swinton in Isaac Julien’s Derek\, 2008. Photo Nina Kellgren. Courtesy of the artist. \n  \nWe are delighted to present this film during Southampton Film Week in anticipation of Derek Jarman’s Modern Nature exhibition at John Hansard Gallery\, opening 27 November 2021. \n  \n\nIn a collaboration with Tilda Swinton\, Derek\, poetically tells the story of Derek Jarman through extensive use of archive footage. The documentary is centred in a day-long interview Jarman gave to Colin McCabe in the 80s.\n\n\nFrom Sebastiane (1976) to Blue (1992)\, Derek Jarman’s films constantly interrogated time and art\, and epitomised his own era. He was a painter\, part of that moment that made sixties London a capital of the art crucial figure of British independent cinema through the seventies\, eighties and nineties. He lived as a gay man surging the joys of Gay Liberation and the sorrows of AIDS. He lived as a participant observer\, noting with pen or camera all that passed before him – from punk to Thatcher\, from Hampstead Heath to film premiere.\n\n  \n  \n 
URL:https://southamptonfilmweek.com/event/derek
LOCATION:MAST Mayflower Studios\, 142 - 144 Above Bar Street\, Southampton\, Hampshire\, SO14 7DU\, United Kingdom
CATEGORIES:Documentary,Feature Film,LGBTQ+,Moving Image
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2021/11/IJS0195_Photograph_Kellgren.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20211109T183000
DTEND;TZID=UTC:20211109T191500
DTSTAMP:20260501T183421
CREATED:20211102T165345Z
LAST-MODIFIED:20211104T214848Z
UID:5301-1636482600-1636485300@southamptonfilmweek.com
SUMMARY:Fragments
DESCRIPTION:Dir: James Scott | USA 2019 | 44 mins | Age Guide 12 |Lang: English \n\n\n\nFragments covers the trajectory of Derek Boshier working between a giant drawing\, World News\, which is about ‘the contrasts between nature and machinery’\, and a series of paintings titled Night and Snow which cover ‘fashion\, soccer\, video games\, rock music and mythologies’. The title Fragments also refers to Boshier’s own film work\, clips of which are integrated within this film. \nBoshier is a British artist living in Los Angeles. Associated with the Pop art movement in London in the sixties\, he studied at the Royal College of Art with the likes of David Hockney\, RB Kitaj\, Peter Blake and Pauline Boty. It is the landscape of America\, and particularly Hollywood\, that has long been such an influence on all of these artists. \nThe statement by the artist Richard Hamilton: ‘I don’t like art films” is perhaps the springboard for all of Scott’s films on artists. Equally\, David Lynch’s comment\, ‘art films are boring’\, sums up a broad attitude to the genre. Positioning himself as both a passionate lover of both art and movies\, Scott’s films directly challenge the negative assumptions of what ‘an art film’ can be. They ignite a sense of excitement\, mystery and wonder that resides within the making of both art and cinema. \nWhile the film closely follows the making of a specific painting or drawing\, Boshier tells off-hand stories commenting on and illuminating his practice. He remarks\, ‘it was Degas\, of all people\, who said\, ‘the making of a painting is like the perpetration of a crime – the artist never paints what he sees; he always paints what he wants other people to see’. \nAs with many of Scott’s films\, this documentary explores the nature of the creative process; the camera delving into the act\, becomes almost an extension of the work\, revealing the journey from first brushstroke or pencil mark to the finished canvas or drawing. \nThe film was started in the fall of 2018 when Boshier began working for an exhibition of paintings and drawings to open at Gazelli Art House in London\, a year later. The music is composed\, played and engineered by cellist Derek Stein.\n\n\n\nOfficial Selection of International Film Festival Rotterdam 2020
URL:https://southamptonfilmweek.com/event/fragments
LOCATION:MAST Mayflower Studios\, 142 - 144 Above Bar Street\, Southampton\, Hampshire\, SO14 7DU\, United Kingdom
CATEGORIES:Documentary,Feature Film,Moving Image
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2021/11/FRAGMENTS_JS_04_CC.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20211109T110000
DTEND;TZID=UTC:20211113T170000
DTSTAMP:20260501T183421
CREATED:20211104T083240Z
LAST-MODIFIED:20211105T070256Z
UID:5334-1636455600-1636822800@southamptonfilmweek.com
SUMMARY:Adam Barker-Mill: DUALITY - Exhibition
DESCRIPTION:DUALITY brings together the filmic and sculptural world of filmmaker\, cinematographer and artist Adam Barker-Mill. \nPresented in partnership with John Hansard Gallery the exhibition features Barker-Mill’s first film in fifty years\, alongside a new chromatic light sculpture. \n“Obviously it is all about light. Light is the very essence of cinematography and light is the main material of my current work”                                                                            Adam Barker-Mill interviewed by Adrian Dannatt for MUBI\, 2021 \nAdam Barker-Mill (b.1940\, Wookey Hole\, Somerset) started his career in filmmaking before devoting himself to his art practice in the early 1980s. As a highly respected cinematographer\, Barker-Mill worked with a number of notable filmmakers throughout the 1960s and 1970s. He had long collaborations with the directors James Scott\, known for A Shocking Accident\, (Oscar winner for Best Short Film of 1983) and Barney Platts-Mills known for Bronco Bullfrog (1970) and Private Road (1971). \nA fascination with light has been a constant focus throughout his career. The illumination of the local Mendip caves was an early inspiration. He has always been intrigued by the mechanics and workings of cinematic equipment\, and has taken advantage of developments in technology (from the humble light bulb to tungsten-halogen to LED). The constantly moving and changing light source that is the sun has also played a significant role in his work: “My understanding of how to use light comes out of that formative cinematographic experience – however different the end result”. \nFor the exhibition DUALITY Barker-Mill has brought together the filmic and the sculptural. The film work Magnum Opus Part 1 comprises sequences of videos recorded on his iPhone and Sony Camcorder between 2004 and 2021. The iPhone now allows anyone to become the “fly-on-the-wall” observer that is at the core of the British documentary film. \nDuality is installed at John Hansard Gallery from 9 – 13 November 11am until 5pm daily. \nOn Tuesday 9 November at 6.30pm you can watch Fragments\, directed by James Scott\, with whom Adam Barker-Mill has collaborated on the production of a number of film projects.  The documentary focuses on the work of Derek Boshier\, a British artist associated with the Pop art movement in London in the sixties\, now living in Los Angeles. \n 
URL:https://southamptonfilmweek.com/event/adam-barker-mill-duality-exhibition
LOCATION:John Hansard Gallery\, 142-144 Above Bar Street\, Southampton\, Hampshire\, SO147DU\, United Kingdom
CATEGORIES:Feature Film,Film Installation,Moving Image
ATTACH;FMTTYPE=image/png:https://southamptonfilmweek.com/wp-content/uploads/2021/11/Adam-Barker-Mill.png
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BEGIN:VEVENT
DTSTART;TZID=UTC:20211106T110000
DTEND;TZID=UTC:20211113T170000
DTSTAMP:20260501T183421
CREATED:20211022T123548Z
LAST-MODIFIED:20211108T163459Z
UID:5209-1636196400-1636822800@southamptonfilmweek.com
SUMMARY:INVISIBLE
DESCRIPTION:  \nAn older woman self-isolates in a stranger’s tiny white attic. This film explores her experience of becoming…what? Invisible? \nINVISIBLE is made by Brenda Waite\, a performance artist aged 60 and Anna Cady\, an artist film maker aged 70. Brenda came to live in Anna’s attic at the beginning of the first lockdown. \nAs post menopausal women Brenda and Anna had discovered what it felt like to become invisible. But then there was Covid. And it was said\, “if all the old people stayed inside we could get on with our lives.”  The fight against ageism took on a whole new perspective. \nDeciding to become visible by making this film during lockdown\, Brenda and Anna explore what it means to experience imposed isolation in a small space. \nThis is a beautiful\, experimental film devised in the process of making; it incorporates physical theatre\, improvisation and existential comedy. \n“As post menopausal women we find that we become less visible; As women artists historically we were virtually not visible; \nAs a post-menopausal-female-performing-artist-isolated-in-a-tiny-white-attic-with-only-skylights-to-connect-with-the-outside-world Brenda became INvisible” \nINVISIBLE will be screened on a continuous loop. Running Time: 8 minutes. \n\nAudience Feedback: \n“Lockdown has affected me; there can be no-one who has not experienced some kind of compression of their life-force.  Even wearing purple is of little use when there is nowhere to go!” \n“Intensely evocative of isolation and the angst that accompanies it. I particularly liked the white aesthetic. The colour of mourning in some cultures. \nI’ll be watching it again!” \n  \nFor more information about the artists: \nBrenda Waite:  brendawaite.blogspot.com/ \nAnna Cady: www.annacady.com   \n  \nDuring SFW21 Brenda and Anna will be presenting an interdisciplinary workshop relating to the themes explored in INVISIBLE. Details of this event can be found here. \n 
URL:https://southamptonfilmweek.com/event/invisible
LOCATION:John Hansard Gallery\, 142-144 Above Bar Street\, Southampton\, Hampshire\, SO147DU\, United Kingdom
CATEGORIES:Film Installation,Moving Image,SFW2021
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191116T120000
DTEND;TZID=UTC:20191116T160000
DTSTAMP:20260501T183421
CREATED:20191106T191944Z
LAST-MODIFIED:20191106T191944Z
UID:4208-1573905600-1573920000@southamptonfilmweek.com
SUMMARY:Knit the Walls
DESCRIPTION:Artist Sarah Filmer will give a short talk and a tour of the 3 films that comprise ’i am the walls’ now installed in the new heritage exhibition at God’s House Tower. \n‘Knit the Walls’ is a long term co-production knitting project\, lead by artist\, Sarah Filmer. It offers the people of Southampton the opportunity to contribute to a community art work for future exhibition in God’s House Tower. Together they have knitting stones\, creating a soft\, warm\, cosy version of the city’s walls\, thinking and talking about what these medieval walls have witnessed and stored over hundred’s of years. \nConsistent with Sarah’s ideas around agency\, participation and contribution\, there are no rules of engagement – you decide how you approach this\, and make something according to your own ideas and skills. Of course\, Sarah is happy to supply materials\, support “i have taught many many people to knit”\, and a group of who knows who – all of which adds up to a fun\, interesting and unexpected experience. \nThere will be plenty of other activities taking place at God’s House Tower on that Saturday – another workshop\, the full tower exhibition\, and the delightful The Hoxton Bakehouse will be open\, providing most delicious coffee\, cakes and sandwiches. \nFrom 12 noon why not drop in to join the informal knit.  Provided will be wool\, needles\, crochet hooks\, conversation and a newly opened\, refurbished\, beautiful\, beautiful venue – an oasis of calm in Southampton’s old town. Come and ‘knit the walls’. \nAdmission to the tower is £5 for a 3 month pass\, but those knitters who have contributed previously to ‘Knit the Walls’\, whose work is being worn in the films\, will gain free admission on this occasion. \n  \n  \n is run by film charity      Charity Number 1089882 \nWe are delighted\, with support of our partners\, to present a number of events for free but if you are able to make a donation when purchasing your ticket or attending an event we will be incredibly grateful – and able to sustain City Eye and Southampton Film Week for years to come!  Thank you.
URL:https://southamptonfilmweek.com/event/knit-the-walls
LOCATION:God’s House Tower\, Winkle Street\, Southampton\, Hampshire\, SO142NY\, United Kingdom
CATEGORIES:Film Installation,Local Interest,Moving Image,Talk
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2019/11/73310318_1242814039252518_636315717188190208_o.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20191116T110000
DTEND;TZID=UTC:20191116T170000
DTSTAMP:20260501T183421
CREATED:20191115T161021Z
LAST-MODIFIED:20191115T165619Z
UID:4220-1573902000-1573923600@southamptonfilmweek.com
SUMMARY:Local Talent Showcase including The Guernica Children
DESCRIPTION:A collection of films produced by local filmmaking talent – plus a chance to see the winners of the 2019 SFW: Shorts competition. \nWe are also delighted to show the feature length documentary The Guernica Children which tells the story of 4\,000 Spanish children\, refugees from the Civil War\, who arrived in the UK in May 1937.  Throughout their time in Britain\, they were cared for\, fed and housed by the efforts of a vast voluntary organisation. Some would later return to Spain and while others made Britain their home.  Written\, produced and directed by award-winning Southampton Filmmaker\, Steve Bowles\, the film sheds light on a dark chapter of European history but equally celebrates the generosity and compassion which enabled the evacuation and care of the children.  The story resonates with many contemporary themes as it explores the fate of the children\, and casts light on the international and domestic turmoil of that time. \nThe Guernica Children\, along with a number of other films in this collection\, touch on themes of migration and journeys\, sanctuary and a sense of home\, freedom\, new horizons and new futures.  These themes are central to Southampton’s exploration and commemoration of Mayflower400 with projects and events to mark the 400th anniversary of the Mayflower’s pioneering voyage. \nJoin Southampton Film Week organisers\, City Eye\, in the Screening Room at Studio 144\, its new home with John Hansard Gallery on Guildhall Square\, Southampton.  Drop in for one session or stay for them all – this is an opportunity to enjoy the diverse work of just some fabulously talented filmmakers from the region. \nScreenings are FREE to attend. \nSCREENING SCHEDULE\n  \n\n\n\n\n\n\n\n\n\nTime\n\n\nFilm\n\n\nDirector\n\n\nLength\n\n\n\n\n\n\n\n\n\n\n11.15\n\nLife in the Nature Zone\nSteve Bowles and Wordsworth Primary School\n6:00\n\n\nSongs from a Small Train\nPeter Thompson\n10:00\n\n\nThe Tide is Rising\nAlys Scott-Hawkins\, Peter Thompson\, Kevin Harper\n4:34\n\n\nPanphasic\nJosie Phillips\n03:22\n\n\n\n\n\n\n\n\n5 minute interval\n\n\n\n\n\n\n\n\n\n11:45\n\nBus Stop\nVanessa Bailey\n09:27\n\n\nO Hunter Heart\nCarla MacKinnon\n07:07\n\n\nYou Are Not Alone\nJane Labous and Shona Hamilton\n08:20\n\n\nOutgrown\nCecily Lane Bedner\n6:00\n\n\n\n\n\n\n\n\n5 minute interval\n\n\n\n\n\n\n\n\n\n12:15\n\nThe Lost House Key\nEdward and Carol Lyons\n1:30\n\n\nDovetail\nGeorgia Cotton\n14:00\n\n\nOut of the Ether\nChristopher Thom\n03:20\n\n\nTaking Delilah\nRachel Stephens\n09:16\n\n\n\n\n\n\n\n\n5 minute interval\n\n\n\n\n\n\n\n\n\n12:45\n\nVideo Dazed\nSo. Skate Zine\n10:00\n\n\nOasis\nPaul Vernon\n9:30\n\n\nLetting go\nJordan Searle\n09:44\n\n\n\n\n\n\n\n\n5 minute interval\n\n\n\n\n\n\n\n\n\n13:15\n\nLife in the Nature Zone\nSteve Bowles and Wordsworth Primary School\n6:00\n\n\nSongs from a Small Train\nPeter Thompson\n10:00\n\n\nThe Tide is Rising\nAlys Scott-Hawkins\, Peter Thompson\, Kevin Harper\n4:34\n\n\nPanphasic\nJosie Phillips\n03:22\n\n\n\n\n\n\n\n\n5 minute interval\n\n\n\n\n\n\n\n\n\n13:45\n\nThe Lost House Key\nEdward and Carol Lyons\n1:30\n\n\nDovetail\nGeorgia Cotton\n14:00\n\n\nOut of the Ether\nChristopher Thom\n03:20\n\n\nTaking Delilah\nRachel Stephens\n09:16\n\n\n\n\n\n\n\n\n5 minute interval\n\n\n\n\n\n\n\n\n\n14:15\n\nPiece of Land\nRanja Ali\n3:03\n\n\nGisette\nCalum Matthews\n13:34\n\n\n\n\n\n\n\n\n5 minute interval\n\n\n\n\n\n\n\n\n\n14:35\n\nBus Stop\nVanessa Bailey\n09:27\n\n\nO Hunter Heart\nCarla MacKinnon\n07:07\n\n\nYou Are Not Alone\nJane Labous and Shona Hamilton\n08:20\n\n\nOutgrown\nCecily Lane Bedner\n6:00\n\n\n\n\n\n\n\n\n10 minute interval\n\n\n\n\n\n\n\n\n15:10\nThe Guernica Children\nSteve Bowles\n62:00:00\n\n\n\n  \n is run by film charity  Charity Number 1089882 \nWe are delighted\, with support of our partners\, to present a number of events for free but if you are able to make a donation when purchasing your ticket or attending an event we will be incredibly grateful – and able to sustain City Eye and Southampton Film Week for years to come!  Thank you.
URL:https://southamptonfilmweek.com/event/local-talent-showcase-including-the-guernica-children
LOCATION:City Eye\, Studio 144\, Above Bar Street\, Guildhall Square\, Southampton\, Hampshire\, SO14 7DU
CATEGORIES:Feature Film,Local Interest,Moving Image,Short Films
ATTACH;FMTTYPE=image/jpeg:https://southamptonfilmweek.com/wp-content/uploads/2019/11/Poster-24a1a87260-poster.jpg
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